image references
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Ceremony dress from celebration of race, G.R.E.S. Unidos de Vila Isabel
Viewed at Museum de Arte do Rio, “Samba's Rio de Janeiro: resistance and reinvention”, 2018
Hank Willis Thomas, An All Colored Cast, 2019
Archivo Diseño y Arquitectura, Mexico City, 2019
Julie Mehretu, Untitled 2, 2001
Viewed at High Museum of Art, 2021
Victoria Santa Cruz, Clip from Me gritaron negra (They shouted black at me), 1978
Viewed at “Radical Women: Latin American Art (1960-1985)”, Pinacoteca de São Paulo, 2018
Hank Willis Thomas, All points should be connected by straight lines, 2018
Viewed at Jack Shainman Gallery booth, Frieze London, 2018
Katharina Fritsch, Display Stand With Madonnas, 1987-1989
Viewed at The Hirshhorn Museum and Sculpture Garden in Washington, D.C., 2015
Kara Walker, Fons Americanus, 2019
Viewed at Tate London, 2019
Nam Juin Paik, Zen for TV, 1963
Viewed at “Nam June Paik: The Future is Now”, Tate Museum, 2019
Street art
Viewed in Virginia Highlands, Atlanta, Georgia, 2021
Jordan Casteel
Clip of Black Lives Matter Plaza in Washington, D.C.
Mohmed Abla
Viewed at 1-54 Contemporary African Art Fair, 2019
Marion Boehm
Viewed at 1-54 Contemporary African Art Fair, 2018
Kerry James Marshall, School of Beauty, School of Culture, 2012
Viewed at “Kerry James Marshall: Mastry” at The Met Breur, 2017
Prince Gyasi, La Pureté
Viewed at 1-54 Contemporary African Art Fair, 2018
Sam Gilliam, Ray IX, 1970
Viewed at Mnuchin Gallery booth, Frieze London, 2018
Nam June Paik, One Candle (also known as Candle TV), 2004
Viewed at “Nam June Paik: The Future is Now”, Tate Museum, 2019
Formafantasma, Seeing the wood for the trees, 2020
Viewed at “Formafantasma: Cambio”, Serpentine Galleries, 2020
Ishknits, Street art instillation, Philadelphia, Pennsylvania
Alma Thomas, A Fantastic Sunset, 1970
Viewed at Smithsonian Institution in Washington, D.C.
Ana Mendieta, Untitled (Facial Hair Transplants), 1972
Viewed at Galerie Lelong & Co booth, Frieze London, 2018